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A) lead tenor.
B) chanter.
C) soloist.
D) muezzin.
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A) Hildegard of Bingen
B) Countess Beatriz of Dia
C) Léonin
D) Pérotin
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A) recedes into a monotone.
B) becomes increasingly disjunct.
C) develops an approximate duple meter.
D) becomes more and more melodic.
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A) It is monophonic.
B) It is metered.
C) It is unaccompanied.
D) It is church music.
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A) a number of tunes sung twice, with one single tune at the end
B) the same tune sung over and over with slight changes each time
C) one recurring tune interspersed with contrasting sections
D) many phrases, each with a different melody
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A) the Divine Office.
B) the Mass.
C) a plainchant sequence.
D) organum.
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A) Guillaume Dufay and Josquin Desprez
B) Léonin and Pérotin
C) Hildegard of Bingen and Bernart de Ventadorn
D) Guillaume de Machaut and Philippe de Vitry
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A) Guillaume de Machaut
B) Hildegard of Bingen
C) Pope Gregory I
D) not known
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A) one main melody recurring with variations.
B) several stanzas in an a a¢ b form.
C) no real structure; it is free-flowing.
D) several tunes, each sung twice, with one single tune at the end.
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A) ars nova.
B) ars antiqua.
C) the new school.
D) the isorhythmic school.
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A) antiphon.
B) estampie.
C) late medieval sequence.
D) troubadour song.
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A) music of the troubadours and trouvères.
B) the standard repertory of the concert hall.
C) religious music.
D) music for weddings, parties, and other festivities involving the middle class.
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