A) They included iconographic details that symbolize Gabriel's message.
B) They placed the figures in a conversational pose.
C) They incised scriptural text into the gold-leaf gesso.
D) They referenced the chapter and verse from Luke in the framework.
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A) Porta Romana.
B) Sala della Pace.
C) the Campo.
D) Scrovegni Chapel.
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A) Mesopotamia and Egypt
B) England and Rome
C) Greece and Rome
D) Persia and Constantinople
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A) a softly modeled style.
B) highly detailed naturalism.
C) classically posed figures.
D) hierarchic linearity.
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A) simplification to only a few characters.
B) expressive gestures and charged glances.
C) monumentality of the figures.
D) representation of majestic architecture.
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A) the use of the fleur-de-lis as a reliquary
B) the S-curve of the Virgin's figure
C) the use of gold, silver, and enamel
D) the child's tender gesture
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A) scenes from Dante's Inferno
B) the Virtues and Vices
C) scenes of David and Goliath
D) scenes from Genesis
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A) patients dying from the plague
B) war with Florentine forces
C) portraits of Sienna's civic leaders
D) agricultural activity of various seasons
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A) Black Death
B) Peasants' War
C) Hundred Years' War
D) Great Schism
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A) his study with Cimabue
B) the writings of Cennino Cennini
C) the message of St. Francis of Assisi
D) the height of Gothic Cathedrals
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A) Lorenzetti
B) Duccio
C) Giotto
D) Cimabue
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