A) expressive use of enamel.
B) working with pigment directly into fresh plaster.
C) a quick process of sketching from observation.
D) having more naturalistic capabilities than oil paint.
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B
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The phrase "trompe l'oeil," which is Fre...View Answer
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A) gouache.
B) fresco secco.
C) trompe l'oeil.
D) encaustic.
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A) the Renaissance.
B) the Enlightenment.
C) the Classical period in Greece.
D) the Middle Ages.
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A) continue to work on the same painting for weeks without it drying.
B) work with big,bold,energetic brushstrokes.
C) blend hues and tones seamlessly.
D) work more quickly than in other media.
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The physical characteristics of certain ...View Answer
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An artist might choose to create a mixed...View Answer
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A) applies the paint into fresh plaster making the painting very durable.
B) applies the paint on top of a dried ground,making it easier for the artist to get a high degree of detail.
C) applies the paint onto a canvas support.
D) paints onto a ceramic vessel before it is fired.
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A) sinopie.
B) gesso.
C) gouache.
D) encaustic.
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A) He introduced a more free-form and expressive style.
B) He began making meticulous portraits of powerful leaders.
C) He abandoned all identifiable subject matter and made purely non-representational paintings.
D) He only painted traditional landscapes.
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The term "collage" refers to an artistic...View Answer
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A) it is so well-preserved since it was painted in such a dry environment.
B) it is hard to achieve this kind of detail with fresco secco.
C) it was painted in Europe and Buddhism was not popular in Europe at this time.
D) depicts the Bodhisattva with such an unusual hand gesture.
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A) lime water
B) oil
C) egg yolk
D) wax
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The painting process involves several ke...View Answer
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A) It dries slower allowing for more naturalistic development.
B) It is more portable.
C) The pigment mixes with wet plaster and becomes more durable. s) It lends itself to quick,sketch-like images.
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A) landscape
B) still-life
C) portraiture
D) abstraction
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A) tempera
B) pastel
C) watercolor
D) acrylic
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The advent of photography did indeed lead some painters to believe that painting was no longer necessary, as photography could capture reality with more accuracy and detail. However, this belief did not lead to the death of painting, but rather to its evolution.
Photography pushed painters to explore new ways of representing reality and expressing emotions. Some artists, such as the Impressionists, began to focus on capturing the fleeting moments and effects of light in their paintings, which was something that photography could not replicate at the time. This led to the development of new painting techniques and styles that were influenced by photography but also distinct from it.
Additionally, photography also influenced the subject matter of paintings. As photography became more accessible, painters began to explore more abstract and conceptual themes, as they no longer felt the need to simply replicate reality. This led to the development of movements such as Cubism and Surrealism, which were heavily influenced by the visual language of photography.
Overall, while the advent of photography did initially challenge the relevance of painting, it ultimately contributed to its evolution by pushing artists to explore new techniques, styles, and subject matter. Painting did not die, but rather adapted and thrived alongside photography.
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Denotation refers to the literal or dictionary definition of a word or image in a work of art. It is the straightforward, explicit meaning that is universally understood. On the other hand, connotation refers to the additional meanings, emotions, or associations that a word or image may evoke beyond its literal definition. In a work of art, denotation may be the physical elements and subject matter, while connotation could be the emotional or symbolic implications that those elements carry. For example, a denotation of a red rose in a painting may simply be a flower, but its connotation could be love, passion, or romance. Understanding the difference between denotation and connotation can help viewers appreciate the deeper layers of meaning in a work of art.
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A) diptychs.
B) reliquaries.
C) triptychs.
D) frescos.
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